Real Movie Review-Movie Reviews, Movie Quotes, Movie Trivia

Taken Trailer
Director: Pierre Morel

Starring: Liam Neeson, Maggie Grace, Famke Janssen

Liam Neeson is one of those actors that makes you say, “oh yeah, I forgot about him. I really like him, I wish he did more movies”. He seems to pop up every decade or so and never delivers a turd, Taken is no exception.

Liam Neeson plays Bryan Mills. Ex CIA agent who took an early retirement package so that he could spend more time with his Daughter Kimmy, played by Maggie Grace and make up for the fact that he was away on missions for most of her childhood. His ex wife, played by Famke Janssen has remarried and spends most of her time making it very difficult for Bryan to make amends. Kimmy decides that she wants to spend the summer in europe with her best friend who seems to be a less than great influence. Both His ex-wife and his daughter succeed in making Bryan feel guilty about not wanting Kimmy to go so against his gut feeling that 17 year old girls should not be travelling to foreign countries on their own, he agrees to let he go. Almost immediately, both girls are abducted and Bryan must jump back into secret agent mode to try to save his daughter.

Taken is a classic suspense, action, thriller in the spirit of Frantic with Harrison Ford or Death Wish. It is not very often you get to see a well done, thriller that combines the ingredients of suspense and action anymore. Most action movies are just that, all action, very little suspense or story. Most recent thrillers are either based on absurd plot lines or have such weak performances that you walk out feeling, as Teddy KGB would say, UNSATISFIED. The other characteristic of current action movies and thrillers is their apparent need to sugar coat the endings, taking any edge the film might have had and griding it off. Taken avoids these trappings of the modern action thriller genre and offers 2 hours of car chases and mystery solving that leaves you thinking…Liam Neeson, I like him, I wish he would do more movies.

Righteous Kill Trailer

Director: Jon Avnet

Starring: Robert Deniro, Al Pacino, Carla Gugino, 50 Cent

Every decade or so, a director/producer gets the bright idea to team up iconic actors in a movie and create the next Godfather. Sometimes this idea works splendidly (Glen Gary, Glen Ross / The Departed / Analyze This), other times it is about as good an idea as Rosanne Barr singing the national anthem (Heat / Ishtar / Wag the Dog). Sometimes, when there is an absolute absence of an original idea and no real meat in the script, great actors are left looking very mediocre…..enter Righteous Kill.

Righteous Kill is the story of career long partners in the police force Tom “Turk” Cowan (played adequately by Robert Deniro) and David Fisk (played by Al Pacino). Fisk and Cowan are a couple of rough around the edges, old school New York detectives who have spent their career trying to do the right thing by keeping the scum off the street and making the world a safer place. Since no good deed ever goes unpunished, they have become increasingly dissatisfied with the effectiveness of the judicial system watching many of their good busts get thrown out of court for many different reasons. This growing resentment leads them to take justice into their own hands on a couple of occasions which has left them with a less than clear conscience. When a serial killer starts killing off defendants that had skated on major charges like murder and rape, the investigators become increasingly suspicious that it may be one of New York’s finest behind the death list. The question is who?

Righteous Kill has an interesting although not very original premise and decent but not transcendent script. The performances although palatable could easily have been turned in by Mark and Donnie Wahlberg. Although I have nothing against the brothers Wahlberg, I expect more from a combined 6 Oscar acting Nominations and a combined 3 Oscar acting wins. Fifty Cent is entertaining as a Gangster/Drug Dealer/Club Owner, I am sure he has plenty of people in his entourage that he could have researched for that role. Righteous kill is a very typical, formula who dunnit cop movie that is entertaining enough if you happen to catch it on starz while doing laundry but definitely not worth expending any energy to see.

Director: Edward Zwick

Starring: Daniel Craig, Liev Schreiber, Jamie Bell,

Edward Zwick, the creative force behind emotional action hits like Blood Diamond and Glory, scores again with this true, WWII story of human compassion and survival. The story is engaging, but lacks the impact that such a spectacular story should have. The direction is skilled, if a little uninspired, and the acting is solid, though Daniel Craig seems too detached in the lead role of the strong soft-spoken leader of a rag tag group of Jews trying to survive in Nazi-occupied Belaruss.

Daniel Craig, Live Schreiber and Jamie Bell play three Jewish brothers who take to the woods to hide from Nazis and their collaborators, after their country falls to the German war machine. Surviving indefinitely in the woods would seem a tricky enough business, but it gets a lot more difficult as more and more Jews join them in a bid for escape from the Jewish ghetto. Keeping their location secret from the enemy, while managing to provide food and supplies would be challenging enough, even without the group infighting that emerges.

Defiance, which plays kind of like Schindler’s List crossed with Red Dawn, has a fascinating story to tell, and tells it well, but it is both surprising, and a little disappointing, that Zwick didn’t manage to create the powerful impact common to this genre, especially since he has conjured up such emotion in many of his previous projects. This is still a very good film, however, that will hold particular interest for history buffs.

Defiance – movie quotes:

“The only thing the Jewish people value more than peace is our right to exist”

Movie lines from Defiance

The Wrestler Trailer
Director: Darren Aronofsky

Starring: Mickey Rourke, Marisa Tomei, Evan Rachel Wood

The Wrestler is a product of the creative mind behind such dark dramas as The Fountain and Requiem for a Dream, and Darren Aronofsky still isn’t going to win any laugh fests with this bleak character drama about a broken down professional wrestler. Mickey Rourke, who showed such talent and promise twenty years ago, in such projects as Barfly and Angel Heart before falling into a decade or two of obscurity, powers this film with an Oscar worthy performance. He is helped out by a noteworthy effort by Marisa Tomei, and by the grim, but engrossing story. The direction is dark and overuses the hand held camera to achieve an authentic look. The end result is an excellent art house film that deserved more attention than it got.

The flagging career of Mickey Rourke may just be revived with his role as Randy “The Ram” Robinson, an aging, good-hearted performer in the hard knock wrestling world of heels (bad guys) and baby faces (good guys). Randy was once a big name, but any money he made is gone and only a glimmer of fame remains along with a lifetime of injuries and regret, as he tries to rebuild a relationship with his daughter and find a place in the world outside wrestling. Marisa Tomei joins him in this journey as an aging stripper and would-be girlfriend just trying to find her own way out of an even grimier world than his.

Imagine the movie Rocky, where Rocky doesn’t get a million to one shot to change his life, but instead the film follows him through his sombre, empty life at the beginning of the film. This is best way to describe The Wrestler. Still, for fans of powerful dramas, the great acting and genuine story of a man stripped bare is worth seeing.

<

Director: Clint Eastwood

Starring: Clint Eastwood, Christopher Carley, Bee Vang, Abney Her,

I guess once you become a Hollywood icon of the titan stature of Clint Eastwood, all kinds of opportunities open up. You no longer have to surround yourself with experienced well-known performers or established writers and you can make any move you feel like. That explains Gran Torino, an uneven drama that would surely have even Hollywood’s boldest producers running for cover with its wall to wall spread of racial slurs laced into a formula tale of an angry grizzled hero coming to grips with his racist views (well, he sorta comes to grips with them, anyway). Clint is mesmerizing in this cantankerous role, but is really getting a bit old for the punch em up stuff, and is way too old for showing his stuff in a bathtub scene. Okay, its not like they show the drill and its bits, but 80 yr old actors don’t need to be showing anything anymore. His supporting cast ranges from acceptable to regrettable, and the story needed more work, but the overall project is better than you may expect, albeit only a little better.

Steely-eyed Clint is a recently widowed Korean war vet named Walt Kowalski, whose dated and racist attitudes and uncontrollable razor tongue has estranged his family, but endeared his friends. Walt’s neighbourhood is acquiring a real multi-color flavour and he’s not happy about it, Goddamnit! He’s even less happy when the quiet Hmong teen next door, Thao, played by Bee Vang, who struggles with the poorly written role, tries to steal Walt’s treasured, mint condition, 1972 Gran Torino. I understand how he feels. I can only imagine what I would do if someone tried to mess with my mint 1981 Chevy Citation, but I digress. Anyways, Thao is actually under pressure to join a local Hmong gang, and when Clint inadvertently saves his neighbours from trouble during a slightly over-zealous lawn defence, he becomes something of a Hmong hero. They cheerfully dismiss his constant barrage of racially motivated foul insults for some reason and are soon having him over for dinner. Come on! Are you kidding me??? Abney Her has a juicy role as Thao’s older sister, Sue, whose no-nonsense and unflappable character is a joy to watch, but really the whole thing is as easy to swallow as a big chunk of beef gristle. You can guess where this going, and soon Clint is the family’s foul-mouthed guardian angel. Hmmm, but what these Hmong gang bangers? What can an irascible old war vet do about a few environmentally challenged youths expressing their frustration in an anti-social manner?

Gran Torino is an uneven mix of interesting and stereotypical characters mixed up in an unsuccessful attempt to update the Walking Tall story line of one man who’s had enough of local criminals. Once you throw all this into the tinsel town blender, you get a mediocre film that has an Archie Bunker character trying to be both Paul Kersey (Charles Bronson in the endless Death Wish series) and Mr. Miyagi. Clint is really a lot better at the tough guy role and was hard to buy as the warm fuzzy father figure. Clint fans may consider it money well-spent and, since I consider myself one, I did want to see this and I don’t regret it. I do regret that Clint didn’t use all his power and influence to make a slightly better movie. Oh, well maybe next time

Director: Seth Gordon

Starring: Vince Vaughn, Reese Witherspoon, Robert Duvall, Sissy Spacek, Jon Favreau

The holiday season is a time that perennially fills itself with movie releases. There are the giant blockbusters that usually only fulfill the bust part, the built for the Oscars group that have been held back until the fourth quarter so that people don’t forget about them when it is time to vote for the awards and of course their is the full slate of obligatory Christmas themed comedies that are usually horrible and are only moderately successful because they have the word Christmas in the title. This last group is how Tim Allen has fed his family for the last several years. They are usually not funny enough for any real laughs, to cheesy to digest easily, with an ending sweet enough to put you in an insulin coma. There have been some notable exceptions to these trappings like, The Santa Claus, Bad Santa, The Ref and others you can find in our list of the best Christmas movies of all time. Four Christmases fallss into the last category (Christmas themed Movies) but is good enough to make its way into your Christmas movie rotation.

Four Christmases is the story of a self centered, narcissistic yuppie couple (if you want to see the birth of these characters, pay attention to Clark Griswald’s neighbors in Christmas Vacation) Brad and Kate. They spend every Christmas holiday finding elaborate excuses to avoid spending the holidays with their dysfunctional families and take lavish vacations in Bali and Fiji. When their flight to Fiji is cancelled due to Bay area fog, they are ambushed by a reporter asking for their thoughts on the cancellations. This impromptu press conference, in spite of Brad’s best efforts to say nothing, is broadcast on live television. Their families see the footage and realize that Brad and Kate are not actually going to be inoculating impoverished children in Burma and demand that the couple visit. Their Christmas circuit of his mom, his dad, her mom and her dad, takes them on a whirlwind of misadventures but it also takes them on a journey of discovery where they start rethinking their relationship with their families and each other.

Four Christmases is one of the few holiday movies that successfully toes the line of tradition and irreverence. It has enough of a sweet message to make you want to call home when you are finished and enough good laughs to make it fun. Vince Vaughn delivers a great performance and displays the great delivery and comedic timing that has kept him busy since he jumped onto the scene in swingers. Both he and Reese Witherspoon always seem to find roles that allow them to just be themselves and it works. If you are looking for a fun night out with plenty of laughs that will get you in the holiday spirit, don’t miss this one.

Director: Ridley Scott

Starring: Leonardo DiCaprio, Russell Crowe, Mark Strong, Golshifteh, Oscar Isaac, Ali Suliman

DiCaprio continues his trend of working with the biggest names in Tinseltown, as he teams up with Russell Crowe in this gritty 21st century spy nail biter. Di Caprio is steady, but unremarkable, while Crowe shines as one of the worst bosses in film history. Crowe always manages to find different ways to portray characters that seem, on the surface, to be similar to his past selections, and its always impressive to watch. Add directing master, Ridley Scott to the mix, and all the ingredients are present to make a film that is actually worth the ten bucks they charge for it.

Leonardo is Roger Ferris, a smart, fearless hands-on kind of modern spy who is after a terrorist leader named Al-Saleem with the shadowy help of Jordanian intelligence leader, Hani (Mark Strong), and the dubious support of his manipulative boss, Ed Hoffman, who is half soccer Dad and half sociopath (Russell Crowe). There is an unconvincing Hollywood-style romance tacked on with the usual style and results, but the dark story is still engaging and is sprinkled with authentic action scenes.

Body of Lies is an appealing blend of films like Traitor, Spy Games, Syriana and Enemy of the State, that mixes a good story with a not so subtle message about the weaknesses of U.S. foreign policy in the Middle East with striking visuals and high quality production. If tricky espionage action is palatable to you, then don’t miss this one.

Director: Morgan Spurlock

Starring: Morgan Spurlock

The documentary genius of Morgan Spurlock returns! In his first effort since the brilliant look at fast food, Super Size Me, Spurlock is about to become a dad, and decides he has to make the world safe for his offspring. The best way to do this, he determines, is to track down western public enemy #1, Osama Bin Laden. This premise is handled quite lightly, though this feature has less appeal than Spurlock eating MacDonald’s ninety times. Still it is another wonderful film that eases us into an uncomfortable subject and then offers an engaging introspective view of it. The film clocks in at less than 90 minutes and offers enough animation and cheesy CGI, that the whole thing looks just a little cheap, but is still entertaining and compelling.

Finding the most wanted man in the world, seems like it could be a tricky goal, but undaunted, Mr. Spurlock sets out on his task. His plan is simple. Just visit countries where he may be and ask people if they’ve seen him. Hmmm, why hasn’t western intelligence thought of that? Anyway, Morgan visits several Muslim and middle-eastern countries, and talks to people. Some are people of power and influence, while most are average citizens. Besides the inquiry into Bin Laden’s whereabouts, he asks them what they think of the terrorist leader, the United States and of their own circumstances. The results are interesting and range from chilling to amusing.

“Where In The World Is Osama Bin Laden?” plays like ‘political science light’ and will should make the rounds of grade twelve classrooms for the next few years. It is light enough to be fun and serious enough to offer a little insight, but with a feature like this, its best to keep in mind that its not difficult to give the viewer any message that the filmmaker wants to give.

Director: David Koep

Starring: Ricky Gervais, Greg Kinnear, Tea Leoni, Bill Campbell, Aasif Mandvi,

David Koep who has an impressive list of writing credits and a list of unknown directing credits co-wrote and directed this intermittently warm and occasionally humorous project with the very funny Ricky Gervais (The Office). The dialog could have been much better, and the low-on-laughs story is all too familiar, even for a comedy. The charismatic cast does manage to pull enough entertainment out to save this from being a poor movie but the end result is unremarkable.

Ricky Gervais is Bertram Pincus, an incredibly rude, people-hating dentist, whose main goal in life seems to be to avoid any human contact and get back to his lonely condo as quickly as possible, each day. This would seem like an incredibly rich opportunity to have us rolling in the aisles, but, incredibly, writers, Koep and John Kamps were unable to do more than pull out more than a few chuckles from me. At any rate, following what should have been routine medical procedure, poor Pincus, has a lot more humans to avoid on his way home, since he can now see huge numbers of dead people walking around in addition to all those pesky live ones. Pincus’ confusion over which are alive and which are dead, and living observers seeing one side of his conversations with these human-looking ghosts, who all want him to do something for them, provides the main base for cliche humour for the rest of the film. The most persistant ghost is Frank (Greg Kinnear), who wants Pincus to split his widow (Tea Leoni) from her new love (Bill Campbell). Pincus reluctantly agrees, but of course, promptly falls in love with her himself. Who would expect that kind of zany plot twist?

Ghost town, was a lot less funnier than I had expected, but did offer a slightly touching cliched story to pass the time with the result being a pedestrian project from beginning to end, that will stay in my mind about as long as my last golf score. Imagine a movie that crosses Ghost with Sixth Sense, with half the appeal of each, and you will know what you can expect here. Worth seeing for Ricky Gervais fans, perhaps, but if the popular TV actor and podcast star, wants to make it at the box office, he will have get better features than this one.

Director: George Roy Hill

Starring: Robert Redford, Paul Newman, Robert Shaw, Charles Durning, Harold Gould, Jack Kehoe

If ever there was a film where the key elements of great writing, innovative direction and charismatic performances came together in a flawless and enjoyable cinematic experience, then that film is The Sting. A seasoned cast of excellent performers is lead by Paul Newman and Robert Redford as they re-created the on-screen magic that they had first demonstrated in Butch Cassidy and The Sundance Kid in 1969. The clever story is smart and cool as it features fun period dialog, and is smoothly laid out by director George Roy Hill, and is brought together and made even more memorable by Marvin Hamlisch’s well known score.

Robert Redford is Hooker, a charismatic, depression era street grifter whose partner, Luther, is murdered under the orders of a ruthless Chicago mob boss, Doyle Lonnegan, played by Robert Shaw in a masterful performance. Hooker wants the kind of revenge only a conman can get and goes to an old buddy of Luther’s, Henry Gondorff (Paul Newman). Together they set out to hurt the gangster with a big con, while not ending up murdered along the way to a great ending.

The Sting is a 70’s classic and is required viewing for all scam loving movie goers., as well those who enjoy finely crafted, but still light and entertaining period pieces. The end result is not comedy, but is pretty campy and manages to invoke a mood all its own. Worth seeing and worth seeing again, and again, and again….You get the idea.