Director: Louis LeTerrier
Starring: Edward Norton, Liv Tyler, William Hurt, Tim Roth, Tim Blake Nelson,
Marvel is back up on the silver screen, and the formula of Spider-man/Ironman, etc., is in clear view. That’s not a bad thing, but it doesn’t work as well for novice director, Louis LeTerrier. True, he has the uber-talented Ed Norton to work with, but he is also saddled with what is without a doubt, one of comicdom’s most boring superheroes. The Hulk has limited power of speech, ruling out the snappy patter in the midst of battle, and his ability, which is simply being big, really strong and indestructible leaves his battles looking like a locker room scrap at the Mr. Universe competition. That being said, this is still a decent chase film and LeTerrier shows great pacing instincts for getting the action in, just as things start to lag, and slowing it down when it starts to get repetitive. That judgment was sadly lacking in the 2003 Ang Lee Hulk disaster. The CGI here is a little underwhelming, and the characters and script needed more zip, but this is still a solid action effort.
Ed Norton is Bruce Banner, who is on the run in South America, where he is trying to stay hidden from his single-minded nemesis, Col Ross, control his temper (I like the days without incident angle), and find a cure for his condition. This plan blows to pieces with one little accident and soon Banner finds himself back on the run, pursued by Ross and his aging super soldier, Emil (Tim Roth, looking unconvincing in the role, but what the hell, I like Tim Roth). Along the way, he meets his old flame, Betty (Liv Tyler) and experiences a big reduction in his days without incident number. You can guess where its all going, but getting there is a pretty fun ride, and it even features a cameo by original on-screen hulkster Lou Ferrigno, who also provided the monster‘s voice.
Don’t make me bored. You wouldn’t like me when I’m bored. Luckily, The Incredible Hulk didn’t make me bored, so it is saved from the scathing power of my keyboard. Norton is great, and this film plays like Ironman mixed with The Fugitive, though lacks the sharp dialog of both and Ironman’s lighter, fun moments. Fans of the green smashing machine will find this a more satisfying big screen treatment, and those who think comics should be restricted to Saturday morning papers will still find this film to be palatable enough.








